Since I'm an Aussie, I had been seeing Hugo Weaving around for years before The Matrix came out. As such, he is not 100% Agent Smith for me. Even so, I couldn't help hearing him, as he saw Frodo for the first time, saying, "Mister Unnnderhill."
If you like him as an actor, some must-see films of his are Proof and The Interview - both are favourites of mine.
Oh, Fellowship of the Ring... loved it, but I had a similar problem to LadyJ - second row from the front, way off to one side. I saw the screen all right, but after three hours my neck was throbbing.
Highlights:
The Balrog - I wish we could have seen more of it. One of the most amazing all-CGI things I have ever seen.
The Ford of Rivendell - A sequence which doesn't get a lot of attention, but one which I was really looking forward to. It was done beautifully, with just the right balance of natural water versus horse-shapes.
The sneak peek at Minas Tirith - It was little more than a teasing glimpse, but still...
The height effects - Utterly flawless. By the time Frodo and Sam had set out for Rivendell, I was already so convinced of the illusion that I was seeing them as being small without any big people around to reinforce it.
Disappointments:
Cut scenes - I worked out what PJ and co were aiming for with their trimming of the story: basically, cut out everything that was not story. As such, I can understand losing Tom Bombadil (who I never liked much anyway) but the Barrow Wight sequence was a sad omission, even so. How the hell Merry (or was it Pippin?) is going to get hold of that witch blade now I have no idea.
Dodgy effects - While the "slow" effects (Rivendell, various landscapes, size-differences) were brilliant, some of the "fast" effects were somewhat dodgy and/or inappropriate. The worst special effect in the film is, I think, when the Fellowship charges through a massive hall in Moria. The camera zooms out into the distance, and all of them are replaced with fully-CGI stand-ins. The trouble is, they are not even remotely convincing. Gandalf is in front at the time, and his running gait is completely different from the CGI replacement's. In the same sequence, a virtual "camera" zooms around the hall, and its ridiculously fast movement highlights the fact that the hall is CGI.
I am going to have to see it again before deciding how much I like it (same with Harry Potter, actually) but I definitely liked it very much on first viewing.
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